Simone Moore, the actress from Montego Bay, Jamaica, brings to mind a talented individual with a background in modeling in New York and Paris. Her height, slim figure, and beauty likely contribute to her presence in the entertainment industry.

Simone Moore’s expertise as a classically trained stage actress, particularly excelling in Shakespeare and classical plays, suggests a deep appreciation for the art of theater and a skillful portrayal of timeless works.

Simone Moore’s time studying in Paris, including her training at the Sorbonne Nouvelle and completing a certificate program at Sorbonne Nouvelle, reflects a rich educational background and cultural experience that likely contributes to her versatility as an actress.

Simone Moore’s diverse talents as a bicoastal artist, writer, and actress in film, TV, and stage showcase her remarkable range. From playing Lady Macbeth in the Shakespeare Center to embodying the rich and complex Queen Gertrude in Hamlet, her upbringing in Montego Bay and Brooklyn adds depth to her performances. With a master’s degree from the University of San Diego and mentorship under Lisa Harrow, Simone’s multifaceted skills extend to singing and design. Fluent in Jamaican Patois, English, and French, she’s part of a BMW campaign and aspires to work in acclaimed series or films, including alongside Chiwetel Ejiofor or Christopher Nolan.

Simone Moore’s journey as a Jamaican actress, born in Montego Bay and raised in Brooklyn, highlights her early involvement in the arts. From singing and dancing since age 5 to studying the catalogs of Sara VaVaughn and Billie Holiday, her passion for performance became evident. Venturing to Manhattan for talent and modeling events during high school further shaped her artistic foundation.

Simone Moore’s transition from modeling and voiceover work in New York and Paris to pursuing acting led her to apply to drama schools. Accepted into the UC San Diego Theatre and Dance program, she had the privilege of working with influential figures like Anne Bogart and Fiona Shaw, marking a significant chapter in her journey from model to scholar and actress.

Simone Moore wasted no time after drama school, diving into the world of off-Broadway theater with performances at the Classical Theatre of Harlem. This early engagement reflects her commitment to the craft and showcases her dedication to the stage.

Simone Moore’s extensive resume includes performances in New York, Los Angeles, and regionally, with notable appearances at the La Jolla Playhouse. As a classically trained actress, she earned critical acclaim from respected publications like The New York Times and Los Angeles Times, particularly for her Shakespearean roles. Her move to Los Angeles proved fruitful, securing leading roles in independent films and prominent TV shows like “Boston Legal,” “Cold Case,” and “Without a Trace.” Beyond acting, Simone is a soulful singer, a dedicated volunteer for socially conscious organizations, and a teacher of art to children. Her solo play, “The Divorce Comedy,” premiered at the REDCAT in Los Angeles during the 2020 New Original Works Festival.

In The Footprint

“Donnetta Lavinia Grays burns with righteous indignation as Bertha Lewis, a community leader who staunchly supported the project, delivering a fiery tirade against the “gentrifiers” who oppose it. She is the temperamental opposite of Simone Moore’s Brooklyn city councilwoman, Tish James, who fights the plan with an air of reasoned, implacable rectitude.”

— Charles Isherwood for the New York Times

Two Gentlemen of verona

“As Julia and Silvia, Cheryl Tsai and Raina Simone Moore represent women united in the struggle for equal rights for all, with Tsai as a flowers-in-her-hair type who is at once idealistic and resolute, Moore as someone with the strength to carry the world on her statuesque, model-perfect shoulders.”

— Daryl H Miller for the LA Times

“Simone Moore is a strong Silvia - her go-go boots speak of a "talk to the hand" attitude and she is completely believable when she not only rejects Proteus's advances but tells him he should be ashamed for even trying.

— Sharon Perlmutter for Talkin’ Broadway

"Simone Moore's Silvia could pass as a go-go dancer at the Whiskey." 

— Bondo Wyszpolski for Easy Reader

Midsummer Night’s Dream

"Star-crossed lovers, played to the comedic hilt by…the amazing Simone Moore who comes up with a distinctive Eve Arden-inspired deadpan delivery for her Helena."

— Travis Michael Holder for Entertainment Today

“As Helena, Simone Moore stands by pining for Demetrius”

— Charlotte Stoudt for the LA Times

Arc

“It's his co-star Simone Moore who steals the show though. Playing Maya Gibbs, a prostitute not so much with a heart of gold as a head full of William James, she is witty, honest, and the real soul of the piece.”

— Shadowlocked LA

“Equally impressive is the debut of Simone Moore, who brings refreshing earthiness and wit to what could have been a stock character. Simone Moore is immensely attractive and engaging as girl who naively wants to make it big as a high class call girl, there are several heavies and they are all realistic.”

Sex & WOrk

“Also outstanding is Moore, who has a strong stage presence."

— Dave Depino for Backstage

“…and Caribbean beauty Madeline (Simone Moore), who attempts to bring some integrity into Rico’s life. Moore is endearing as the woman who believes her love will change Rico."

— Julio Martinez for Variety

Fools In Love

"My favorite was a black beauty named Simone Moore. This young woman has poise, timing, sexual, and social appeal. I can't help but think, one day I'll be at the movies, leaning into my 1054 date, saying, "Hey, I saw her when she was in Evelyn Duboff's play"

— PEN Fiction

Huck and Holden

"Please don't approach this sharp, engaging romantic comedy as an academic exercise. The spirited young cast certainly doesn't in the Black Dahlia Theatre's accomplished and thoroughly enjoyable staging of Joseph's cross-cultural odyssey about a visiting engineering student from Calcutta who finds more than he bargained for when he enters a college library in search of the books. Amid the precarious stacks of books that compose Craig Siebels' set, the very traditional Navin (played with pitch-perfect nerdiness by Kunal Nayyar) meets student librarian Michele ( Simone Moore), a pretty, outgoing voice major who takes an immediate liking to him."

— Philip Brandes for the LA Times